
*Photography by Chris Nelson
For those of you who braved the the absurd prices and uncharacteristically cold weather (by L.A. standards anyways) to venture out for a New Year’s Eve celebration, bravo. Just finding a satisfactory venue to ring in a new year is hard enough. But to actually have some quantifiable fun that softens the exorbitant dollar-to-drink ratio… therein lies the real challenge.
If you like $300 custom Nike tennis-shoes, have an abhorrence for shaving and a penchant for faux-hawks, or if you prefer that your jeans keep your blood flow to strictly above the knees, the Hard NYE party in downtown Los Angeles may have been your soiree of choice to ring in 2008 with style.

Or you may fall into none of those horrible hipster stereotypes and simply like two scraggly Frenchmen dropping dirty electro basslines for an hour and a half, starting at the stroke of midnight.
With Hard NYE 2007, Los Angeles saw some outdoor competition to the GIANT New Year’s Eve parties that have gone off for the past four years or so in the heart of downtown. Yes, they are trance dominated, but that seems to be what sells $100-plus tickets in L.A. I’ve made it to the Giant Village summer parties before and, whatever your taste in lineups, there is no arguing that they are well organized and nestled into prime downtown real estate.

Neither could be said for Hard NYE’s first outing. The location was just east of Skid Row in a decidedly run down few blocks of the industrial district that surrounds the Biscuit Company and Toy Factory loft complexes. The organization and security were both subpar. I felt especially bad for the people who ponied up $150 for a VIP ticket only to see their valet line stalled for over an hour as two cars were left unattended at the front of the line and the valets were nowhere to be found. Many a pre-partied socialite shouted nondescript vulgarities into the crsip night air as Mercedes horns honked chaotically.
(Ok, I didn’t really feel sorry for them.)
After a tour of the grounds around 11PM revealed a lackluster Peaches performance in progress on the main stage and a game crowd getting down to the well-mixed but somewhat tired tunes of A-Trak on the secondary stage, I and my small crew of friends were a bit concerned that our night was in jeopardy. The $35 price tag for three Coronas, a bottle of water, and a vodka tonic didn’t help matters.
Rounding out the “oh fuck” quotient was the journey in and out of a pitch-black port-o-potty that had me wishing the brief sliver of light which penetrated the abyss as I entered hadn’t revealed one of the messier shit caves I had ever seen.

But sometimes all you need to right the wayward course of such a misguided partyboat is one memorable performance to take you on a blissful musical journey. Just one stretch of time where you forget about how cold you are, how much money this is costing you, and whether or not this is a harbinger of the kind of luck you can expect in 2008.
As soon as Xavier de Rosnay and Gaspard Auge took the stage just after 2008 had begun, it was clear that they were going to deliver on that elusive New Year’s Eve promise. It was also quickly apparent that their DJ set that night would live up to the astronomical hype that has been following their live performances all over the world since last April’s phenomenal Coachella performance.
There’s not much that can be done to describe in words the sound and the fury of 90 minutes of well-mixed, sound-of-the-moment French electro house (as well as other house classics - they went waaayy back for a few).
The crowd was going bonkers for it. Everyone who was there was treated to stellar first hour and a half of 2008. One that saw the two Frenchmen overcome a malfunction that brought the music to a dead stop, as well as another screeching halt to remove some overzealous stage-goers.
All in all, for those not wanting to endure the cold until 3 AM for another incredible performance by SoCal’s own breaks-guru Uberzone, Justice was the perfectly-timed highlight of the night.
Check out some more performance and crowd shots after the jump to see for yourself.
Continue reading ‘And Justice For All’